与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。 　　A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called "intellectual" film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak: Muz, ktory luze; French title: L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).

《我的名字叫可汗》印度名導卡倫喬哈爾的新作《寶萊塢之我們相愛吧》，邀來寶萊塢巨星蘭威爾辛格和《孟買女帝》艾莉雅巴特，展開富三代愛上女主播的愛情喜劇，本以為就要走向完美結局，沒想到截然不同的家庭背景、社會階級，成為兩人間最大難題。經典的愛情難題在寶萊塢更不會隨便了事，大場面歌舞連氣球都鍍金，男女老中青都得唱上一曲，不論是個人主義還是家族第一，在愛情面前都舉重若輕。

云起http://www.mtime.com/my/gmzyq/　　六年前，有七个青年人在学校里结下了深厚的友谊，他们相处得非常愉快而且融洽。在学校里，他们是备受瞩目的一群帅哥美女，但是没有什么能破坏他们的友谊。　　六年后，这群朋友中的两个即将举行婚礼，莱拉是即将步入婚姻殿堂的新娘，她和自己的准丈夫汤姆正在忙于准备自己豪华但是甜蜜的婚礼。为莱拉做伴娘的是她当年的室友劳拉，她们在念书的时候认识，是彼此大学中最好的朋友－－这两个女孩在大学里同时爱上过汤姆，最重要的是，劳拉直到现在也无法释怀于自己对汤姆的情感。而且，劳拉也是前来参加婚礼的朋友中间唯一一个至今还保持单身的人。　　本来是热闹而且亲切的婚礼和好朋友的相见，但是因为情感的“陈年旧账”，莱拉精心策划的婚礼险些成为“战场”。

云起http://www.mtime.com/my/gmzyq/　　六年前，有七个青年人在学校里结下了深厚的友谊，他们相处得非常愉快而且融洽。在学校里，他们是备受瞩目的一群帅哥美女，但是没有什么能破坏他们的友谊。　　六年后，这群朋友中的两个即将举行婚礼，莱拉是即将步入婚姻殿堂的新娘，她和自己的准丈夫汤姆正在忙于准备自己豪华但是甜蜜的婚礼。为莱拉做伴娘的是她当年的室友劳拉，她们在念书的时候认识，是彼此大学中最好的朋友－－这两个女孩在大学里同时爱上过汤姆，最重要的是，劳拉直到现在也无法释怀于自己对汤姆的情感。而且，劳拉也是前来参加婚礼的朋友中间唯一一个至今还保持单身的人。　　本来是热闹而且亲切的婚礼和好朋友的相见，但是因为情感的“陈年旧账”，莱拉精心策划的婚礼险些成为“战场”。

This three part television series, presented by eminent historical writer Peter Ackroyd, Romantics explores the turbulent story of the pioneers of modern imagination: their private pleasures, personal dreams and political passions. 　　Between 1760 and 1830 the imaginations of a few individuals re-ordered human perception. English poets such as William Blake and Lord Byron were are the forefront of this movement. It has since become known as the Romantic Revolution. 　　With this revolution God, Church and abolute monarchy would be displaced from the centre of society and replaced by the visions and desires of the individual. Our modern fundamental perceptions spring from this revolutionary period - our ideas of equality and freedom - our notion of childhood - of the unconscious and our belief in the power of words and images to change the world. 　　The series follows the growth of the Romantic idea through three episodes: Liberty, Nature, and Eternity. The main focus is the work and lives of some of the giants of the Romantic movement, William Blake, William Wordsworth and Samuel Taylor Coleridge. The main character however, is the idea itself, how it is relayed, how it affects change in people and in the world itself.

This three part television series, presented by eminent historical writer Peter Ackroyd, Romantics explores the turbulent story of the pioneers of modern imagination: their private pleasures, personal dreams and political passions. 　　Between 1760 and 1830 the imaginations of a few individuals re-ordered human perception. English poets such as William Blake and Lord Byron were are the forefront of this movement. It has since become known as the Romantic Revolution. 　　With this revolution God, Church and abolute monarchy would be displaced from the centre of society and replaced by the visions and desires of the individual. Our modern fundamental perceptions spring from this revolutionary period - our ideas of equality and freedom - our notion of childhood - of the unconscious and our belief in the power of words and images to change the world. 　　The series follows the growth of the Romantic idea through three episodes: Liberty, Nature, and Eternity. The main focus is the work and lives of some of the giants of the Romantic movement, William Blake, William Wordsworth and Samuel Taylor Coleridge. The main character however, is the idea itself, how it is relayed, how it affects change in people and in the world itself.

路易·德拉克斯是一个问题小孩：聪明，少年老成，满嘴谎言，而且还总是会发生一些危险、让人难安的意外事故。9岁的他已经发生了八次意外：第一次，出生时母亲难产；第二次，患上婴儿猝死综合症；第三次，突发痉挛，9分半钟没有呼吸；第四次，掉进里昂地铁的铁轨中，全身85%被电击…第九次，不幸坠崖，但在医生宣布其死亡两个小时后，他又奇迹般地活了下来，但是他的家庭也因此支离破碎。

《时光的画笔》系列动画片从一位拥有神奇画笔的画家先生开始说起。他的笔能改天换地、移山填海、穿梭时空，更创造出无数有趣的小生命。其中的五个可爱小精灵成了我们故事的主角。

本片讲述了法国作家兼飞行员安托万·德·圣-埃克苏佩里的人生经历。他一生热爱自由与冒险，浪漫多情而真诚敏感。作为天才飞行员，他十二岁时就学会了开飞机，成年后有时他甚至把飞行看得比写作更加重要。本片通过录像、圣-埃克苏佩里的发表作品和与亲友的书信回顾了他短暂而丰富的一生，使观众认识这个在里昂乡下贵族城堡中长大、对世界充满好奇与想像的小男孩，这个酷爱飞行与写作、并执着追寻爱情真谛的法国人，一个真正的浪漫主义者。就像他最出名的作品《小王子》，圣埃克苏佩里毕生的传奇经历也是令人好奇、缠绵而神秘的恒久主题。

The good deeds of a well-meaning fellow are repaid with ingratitude and malevolence. This is too much for our friend and he begin to rival the Devil in his maliciousness. Giving that he so far overdoes it that the Devil is even upset. In the end he returns to his original temperament. 　　This was the debut film of Zlatko Grgic, a Zagreb legend, in 1965 at the age of 20. It demonstrates his comedic talents at their best, as a well-meaning fellow learns to appreciate the benefits of "devilish" behavior. 　　1966 Special Diploma, Bergamo